Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 4



Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 1
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 4

The claim that “L’isa” is an allusion to Isis is seriously questionable. There is no documentation from academic sources on Egyptology that “Isa” is an acceptable variant spelling of “Isis” and thus no support for the idea that “Isa,” combined with the Italian prefix “L” (meaning “the”), refers to “the Isis.”

Several more tangible difficulties attend Brown’s thesis. First, the closest historical testimony, by Giorgio Vasari, indicates that the Mona Lisa is a genuine portrait of Lisa Gherardini, the wife of a wealthy merchant. Second, the painting is not known as the “Mona Lisa” in either its country of origin, Italy (where it is called La Gioconda), or its current place of residence, France (where it is called La Joconde).5 Third, it is a matter of record that the Mona Lisa’s smile was not considered mysterious until the 19th century. Finally, “Mona” is short for Mia donna, Italian for “my lady,” but the English spelling “Mona” is erroneous; it should be spelled Monna.7 Brown’s anagram fails to account for that extra n! Brown also offers a distorted history of another of da Vinci’s paintings, The Virgin of the Rocks. He correctly reports that a group of nuns commissioned this painting for a church in Milan and that a second version exists in London. He makes the unsubstantiated claim, however, that the “explosive and disturbing details” (138) in the painting disturbed the nuns, who thought those details were symbolically

offensive. Brown also claims that da Vinci “mollified” the nuns by painting a second version without the offensive symbolism. A comparison of the two versions in art history books, however, reveals that although there are minor differences, all of the “disturbing” elements Brown lists are found in both paintings. For example, Mary the mother of Jesus allegedly making a “decidedly threatening gesture”  (139) with her hand above the head of the infant John the Baptist. Brown also incorrectly reports the nature of the controversy: the nuns were indeed unhappy, but this was because da Vinci took several years to complete the painting. Da Vinci’s delays eventually resulted in legal action by the nuns, which had nothing to do with the contents of the painting. Art history as recorded by serious scholars simply does not confirm Brown’s claims.


Analysis of The Da Vinci Code to be continued… (part 5).

Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 4
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 4
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 4
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