Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code

Point of View in The Da Vinci Code

A Stylistic Analysis of The Da Vinci Code

Abstract
Many readers have been confused by what is fact and what is fiction in the hugely popular novel The Da Vinci Code. This paper aims to provide an explanation for alleged readers’ confusion through stylistic analysis of the novel. I would argue that the manner in which point of view has been constructed has influenced readers in their perception of fact and fiction. Stylistic analysis has shown that the protagonist of The Da Vinci Code is the reflector of the fiction throughout most of the narrative and it is hence argued that, as narrator, he is able to guide the reader through the narrative and present the reader with information that might seem factual but is fiction.

Firstly, the writer would like to give the book review. It was reviewed by james Patrick holding. It has a relation to the discussion in order to we know an information that would we discuss.

A SUMMARY CRITIQUE

THE DA VINCI CODE:

Revisiting a Cracked Conspiracy

a book review of The Da Vinci Code

by Dan Brown

(Doubleday, 2003)

This review first appeared in the Christian Research Journal, volume 27, number 1 (2004). For further information or to subscribe to the Christian Research Journal go to: http://www.equip.org


Every few years a popular conspiracy theory about the origins of Christianity reemerges once everyone has forgotten how it was refuted the last time it appeared. The premise that underlies the story in Dan Brown’s The Da Vinci Code last appeared in a book titled Holy Blood, Holy Grail (Delacorte Press, 1982).1 At that time, one theory purported that the “Holy Grail” was not the cup used by Jesus Christ at the last supper; instead, it was a royal bloodline fostered by Jesus’ marriage to Mary Magdalene. Religious scholars completely ignored or dismissed this theory because they had little patience for the claims of documents and societies that supposedly possessed “secret” knowledge that the academic world had missed for centuries. Nothing in scholarship or evidence to date has changed to supplant this dismissive evaluation. Theories like this, moreover, are promulgated not in peer-reviewed scholarly journals but in popular presses in which the exercise of critical faculties is optional. The Da Vinci Code is merely resurrecting in vain a thesis that serious scholars have condemned and buried decades ago.
Analysis of The Da Vinci Code to be continued…

Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code

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